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The MR5 can be configured to any one of the standard 16 MIDI channels or used in Omni mode to respond to all MIDI channels at the same time. Instrument switching on the JX44 or JX42 can be controlled by MIDI control changes while the amplifier switching on the JX44 can be controlled via MIDI control changes, MIDI program changes or both simultaneously. The MR5 can be used in conjunction with the JR5 so the musician can still enjoy stage remote controllability while the MR5 receives control messages from a sequencer, control pedal or a MIDI track from background orchestration software.

Using the MR5 is easy to integrate into any MIDI setup. A side access 8-position dip-switch enables the user to configure the MIDI setup as needed while a side access reset switch allows for instant setup recovery. Standard XLR cables connect the MR5 to the JR5 inputs on various Radial products, while MIDI equipment connects using standard 5-pin DIN connectors. Because the host Radial product automatically powers the MR5, no external power supply is required.

The Radial MR5… an easy way to add MIDI to your Radial switcher setup!

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The design begins with two separate channels: The first is dedicated for electric guitar – the second is optimized for acoustic. Two easy access footswitches allow the artist to effortlessly select between pickups for a seamless performance on stage. The magnetic-electric pickup channel features Radial’s award winning class-A buffer for absolute signal integrity. This is augmented with Drag Control (TM) load correction to counter the effect of the buffer for a more natural tone. The piezo-acoustic channel features an ultra-high 10meg-Ohm impedance that at once broadens the frequency response while smoothing out the peaks and edginess that often plagues these transducers. A built-in 3-position high-pass (low cut) filter helps eliminate excessive bottom end which could cause the sound to be muddy and indistinct. When used with an acoustic instrument, the filter works with the 180 deg polarity reverse to help eliminate resonant feedback. A low-pass (high-cut) filter has been included to help warm the sound of active piezo systems that can often sound harsh.

There are two outputs to choose from: A standard ¼” output to feed a stage amp and a built-in Radial DI box to deliver the piezo-acoustic tone direct to the PA system via a low-Z balanced XLR out. A dedicated effects loop on the piezo channel lets you connect a series of pedals to feed both outputs. Selecting channels is simply a matter of depressing the associated footswitch. Bright full-sized LEDs provide visual clarity under stage lights to show the selected channel. Even when off, the signal from both pickups are combined and sent to the dedicated tuner out for quiet on stage adjustments.

The PZ-Select… a powerful switcher that lets you seamlessly select pickups and instruments using the power of your feet!

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The design begins with Radial’s award winning 100% discrete class-A buffer circuit for the very best audio fidelity and lowest noise. This is augmented with Drag Control – a load correction circuit that allows the user to reintroduce the natural tone and feel of the guitar as if connected directly to a tube amplifier. To eliminate ‘switch-on’ noise, the Loopbone employs photocells that ramp-up and ramp-down the signal for smooth, pop-free performance, even when used with high-gain amplifiers.

Using the Loopbone is easy: plug in your pedals and switch on the loops. The two effects loops are wired in series to enable the first loop to be fed into the second. This enables the guitarist to combine effects to create complex signal paths or take noisy pedals out of the primary signal chain when not in use. For added control, the Loopbone is equipped with Slingshot, a remote control that can be used to simultaneously change channels on a guitar amp, turn on an effect, or activate another Slingshot equipped pedal like the Radial Headbone. Just imagine… one foot stomp and suddenly, your chorus, delay and overdrive are activated while your amp changes channel! Extras include a built-in power booster with ‘set & forget’ level control for soloing, plus a separately buffered tuner out for ‘on-the-fly’ adjustments.

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The design begins with the same 100% discrete class-A buffering circuit as the critically acclaimed Radial JD7 Injector for exceptional audio performance. Each part is hand inserted into a double sided through-hole PCB for optimal signal transfer. To ensure the natural feel of the instrument is maintained, Drag control load correction lets you re-introduce the natural relationship between the guitar pickup and the amp that is invariably lost when the guitar signal is buffered. This also allows longer cable runs of upwards to 15 meters (50′) without noise.

There are three footswitches on the top panel: The first selects between A or B amps while the second is used to combine amps. To get rid of the pops common to passive switchers, the Switchbone employs photocells that ramp-up the signal for smooth noise-free switching – even when used with high gain amps. To eliminate hum and buzz caused by ground loops, the Switchbone’s second output is equipped with a transformer for 100% isolation. To ensure the two amps play in absolute phase, you simply toggle the easy access 180º polarity reverse switch.

The third footswitch lets you engage the built-in power booster. This is equipped with a variable level control and is augmented with a 3-position mid-boost switch for extra cut when soloing. The boost function can be bypassed and converted to a mute switch for quiet on-stage tuning. A separate tuner out is always on for quick tune-ups and buffered to keep your signal path clean. Smart ‘flashing’ LEDs let you know which amp was last selected keeping you in total control at all times.

The Switchbone is the most natural sounding ABY amp switcher made today.

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The design begins with a triple gain stage that combines the control and dynamics of solid-state with the warmth and harmonic generation only possible from a real 12AX7 tube. This unique design produces ultra-rich harmonic textures and full-on saturated tube settings without the mud or noise that is typical with other pedals. Even when played at blistering speeds, each note retains its distinctiveness and clarity, right down to the lowest note.

Switch on the Contour, dial in the passive-interactive EQ and wham! – you are now in a world where huge, musically rich tones that you never thought possible magically come alive. The carefully crafted controls are easily manipulated to create an incredible array of textures that range from old school Deep Purple and Tom Shultz’s unique Boston sound to Queen’s Brian May or right into the boldest Metallica. No other pedal delivers more – no other pedal even comes close!

The Tonebone Hot British… Five generations of Marshall tone right at your feet. God Save the Queen!

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Following the vision set by Leo Fender in the 1950’s, the Classic is based on the modified vintage overdrive sounds that emerged in the 1970’s, matured throughout the 1980’s & 1990’s and today remain some of the most sought after guitar tones of all time. The Classic begins with a 3-position gain switch and drive control that lets you dial-in slight overdrive to high gain saturation and everything in between. Ultra sensitive passive-interactive tone controls let you contour your sound to accentuate the mids for solos or fatten up the tone when using single coil pickups.

Inside, the Classic combines two gain stages to create the distortion with a 12AX7 tube drive to deliver added warmth and harmonic content. And like a real tube amp, when you turn your guitar volume down, the Classic cleans up naturally – without the noise, hum or buzz that is common with most other pedals. Yet at higher settings, every note remains distinct. The Classic is so responsive and dynamic – your individual playing style shines through!

To ensure quiet on stage performance, the innovative true-bypass switching employs photocells that ‘ramp-on’ and ‘ramp-off’ the effect to eliminate clicking and popping. And when bypassed, the pure sound of your guitar reaches the amplifier without any tone altering buffers in between.

The Radial Tonebone Classic – the most dynamic and responsive tube distortion pedal ever!

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Unlike a regular AB box that mechanically switches between two sources, the Cabbone actually ‘ramps on’ the switching process with a timed overlap so that the amplifier always sees a speaker load. This ensures both tube and solid state amplifiers are safely switched at all times. The audio signal is actually switched via high-power gold-contact relays to ensure ‘straight wire’ performance. In other words, the Cabbone will not color the tone or introduce any form of distortion into the signal path. Should power to the Cabbone ever be disconnected, Radial Safe-Mode operation automatically resets, connecting the head to output-1.

To reduce ‘spaghetti’ on stage, the Cabbone is equipped with Slingshot – a remotely controlled switching input that enables any standard contact closure to switch cabinets. This lets you keep the Cabbone and speaker cables near the amps and remotely control everything from your pedalboard. With Slingshot, the Cabbone can also switch speakers using a MIDI pedalboard controller, sequencer, or another Slingshot equipped device such as the Loopbone or SW2 remote. Just imagine… with one foot stomp – you could switch channels on your amp, turn on a delay and switch speaker cabinets. Now that’s performance!

The Cabbone… a creative tool for making music from the tone fanatics at Radial.

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